Literature In Los Angeles

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JESUS

In LITERARY FICTION on May 18, 2010 at 2:13 pm

Father of mine
Tell me where have you been?
You know I just closed my eyes
My whole world disappeared
*

You know, maybe this guy is right.
This guy is the nephew of the building manager.
He’s the one who’s letting us stay here even now, after the remodeling.

The new tenants seem to have money.
You can tell from the cars in the parking spots and from the way they look at us or, actually, don’t at all.
But Jesus doesn’t care. He just calls them The Rich Losers and lets us stay here.

His uncle has been the manager here for twenty years.
When he got this position, he couldn’t believe it; all his friends who had crossed  the Mexican border with him were still burning their backs under the sun of the San Fernando Valley—for nothing.
They were all still illegal, working as bricklayers and not even able to speak English—not yet.

Instead, he had studied hard for all his first year in Los Angeles, working ten hours a day as dishwasher in a Mexican restaurant—seven days a week.
Every day he used to get off work and run straight to his free English class for immigrants on Lincoln and Venice.
It was hard because he had no time left for anything else but it became worthy when, in the same restaurant, he was promoted to busboy. And then, to server.

One day, just by talking to one of his frequent customers, this opportunity to become a building manager came up.
He had to take a six-week training course; done that, his new job was set.
The new building company also sponsored him for a green card; that way, he obtained the freedom to go back and forth from Mexico as much as he liked.

And, it was right on one of his trips to Oaxaca that he persuaded his youngest sister, this fourteen-year-old peasant, to move to Los Angeles.
He paid the coyote the double of what they usually charge just to make sure nobody would rape her.

This Mexican little thing made it safe to Los Angels but, once here, she didn’t make it so in the little alleys of the big Angels’ City.
You know, shit happens: she found a buddy who got her pregnant but the buddy was beating her, so she gave birth alone. Then she found another buddy, but he was beating her too so, once again, she gave birth alone.
By the time she was nineteen, she had found lots and lots of new buddies and given birth for the third time.
After that, nobody knows what became of her.

People don’t even exactly know who, among all of those buddies, Jesus is the son of.
He has always been said that his mother went to study English in a school that is far away and she will be back soon.
This is a lie—of course—but, it’s true that she really needed to learn English: as a fact, she could always find plenty of buddies but never a single word, when she had to speak.

Thank God, Jesus is always too high to wonder why his mother picked a school that is so far away, when there are tons of free classes just in the neighborhood.

In the meantime, the uncle and his wife have been trying to raise Jesus as their own son, together with their other six children.
But, it’s not easy. You know, people might not know who Jesus’ father is but, sure they can tell he’s the son of a Mexican bitch.

Because, when she disappeared, she took away her two other children but Jesus.
Because, at some point, rumors were suggesting the reason why.
Because, for those rumors, Jesus is the son of his uncle.

Yes, for those rumors, Jesus is the son of a loving brother who used to fuck his tiny innocent sister.
Can you believe that?

Story by Liliana Isella.

_____________________________________________________

* Father of Mine by Everclear.

 

GEENA

In HOLLYWOOD, LA LADIES, LITERARY FICTION, LOS ANGELES, ROCK'N'ROLL on May 12, 2010 at 4:22 pm

Story by Liliana Isella.

Woman you’re a mess
gonna die in your sleep…*

There was something, about this girl.

This Afro-American girl, Geena, was totally into the party scene and totally into the rock ’n’ roll scene. She was a groupie; a while ago, she had traveled on the tour bus with a pretty famous local band a few times. The first time was when she was dating the bass player; the second, when she was dating the singer. The third time, I guess she was dating the lighting technician, but I am not sure—maybe it was the sounding technician, instead.

She was also totally into the drug scene, but totally healthy enough to hike every morning up to the Hollywood Hills. She used to make this daily effort ‘cause hiking is totally a Hollywood thing and she was totally a Hollywood girl.

And, above all, she was an actress. Totally.

Excuse me if I am using all these “totally” but, for a little while, I was totally sucked into the memory of her quick way of speaking that was full of all these “totally.”

The vision of the black and fuchsia highlights all through her long, bleach-blonde hair was confusing, especially because of the contrast with her dark skin. And there was something weird also about her disarticulated thin limbs, about her big, black eyes, about her too linear eyebrows and about her red, full, juicy lips.

Watching her was a totally capturing experience. There was something disturbing about her figure, but still, you just couldn’t stop looking at her when she was talking about the fake ID she got to get into the clubs because she’s under age, or when she was talking about the twenty empty bottles of vodka her landlord took out of her trash and set in front of her door in the attempt “to show me what? That I am an alcoholic? Of course, I am not, motherfucker!” or,  when she was talking about her ex-model boyfriend that “…left for London to shoot this commercial, and after that we were supposed to move in together in a luxury 1940s condo just off Hollywood Boulevard, the same condo Veronica Lake had lived in for a certain time—he had promised it—but over there, some fucking where in Europe, he met this girl, this Burberry’s heiress, and I do not know how—but I think because of her money, what else would it be? I mean, he loved me, he still loves me. Totally—they got engaged, and… and I just can’t believe it. Really.
A common friend, another model that was there shooting the same commercial with him, said that the week before that my boyfriend got engaged to that bitch, one evening they had gone out all together for a few beers in a pub and my boyfriend was showing her pictures of me and… and, after that, I don’t know what the fuck that bitch put in his mind. I don’t know, but I know that he did not come back anymore, not to me at least, maybe to L.A.; but who knows where, in L.A. He just didn’t answer the phone anymore, not even the million times I tried to call him with the blocked number—maybe he knew it was me.
Fuck…. He was gone, totally gone, and he stayed so for a long while.
Until, the other day.
The other day, the sun was hot and it was just a shining afternoon and I was going to the Chateau Marmont to have drinks by the pool with this guy, Randy, this thirty-something producer from the East Coast that was in town for the Oscars.
I was in my car on Sunset Boulevard. I was almost there, almost at the hotel, and just one block before, the light turned red. I stopped my car and… and… and, under that blinding sun, I turned my eyes up, and… and he was there! I mean, my boyfriend was there! I saw him!
I saw my boyfriend for the first time after he had left for London to shoot that fucking commercial! He was standing there, under the blinding sun, looking at me. Can you believe this?
He was staring at me! He was staring at me from the big Armani’s advertisement on the Sunset Strip, the one next to the hotel. Fuck, I couldn’t believe that. I just couldn’t. I broke down, totally.
I mean, I was almost there, so I didn’t give up on my drinks with the producer, because I am an actress and hanging out with the right people in the right places is my job, even when I am totally broken inside.
Once I met with the producer I tried to forget I had seen my boyfriend on that poster just a few minutes earlier and I tried to make an impression on him, no matter what.
And, I think I did, but… I mean, the sex was totally great, especially the blow job I gave him in the Jacuzzi—“the best blow job ever, baby”, he said. He liked also my new boobies. You wanna see them? He wanted to fuck them. I liked it. I grabbed his dick and I started sucking and licking it like I hadn’t drunk or eaten for days. Then with my hand I grabbed his neck—with the other one I was still holding his cock—to make him look at me while I was sucking and I looked into his eyes like I never had something so tasty in my mouth in my whole life and… and he came in my mouth.
He loved it. I learned how to please any cock from a movie my ex boyfriend, the one I was with before my boyfriend, showed me.
My ex-boyfriend was performing in it with a hole he had just hired to shoot this educational video for all the chicks he was dating. He wanted to make sure that any slut who craved his cock was able to suck it properly, he said.
But, the perfect blowjob I gave the producer in the Jacuzzi comes with another secret: for the all the time, I imagined the producer was my boyfriend. I had the vision of his stunning body in front of me, like in the picture of the big Armani ad on the Sunset Strip.
Not even the three Martini Vodkas in a row the producer bought me before the blowjob, or the two Sex On The Beach I had right after, saved me from thinking about my boyfriend: it kept coming to my mind that maybe he took her to Paris, the city we were dreaming of getting married in.
I mean, it was too much to think about. So, after the blowjob, I totally broke down and cried in front of the producer and he got kind of mad like, “…what’s wrong with you? I thought we were having some fun….”
I tried to be like, “We are, honey, totally….”
But, right after I broke down again, he asked me to leave; he said he had forgotten about a meeting he had to join in a little while.
Though, before he left, I came out of the Jacuzzi and, while I was wrapping myself in one of the hotel’s towel, I asked him, “Am I still ok for that part in that movie?” and he said, “I’ll call you, baby, ok?”
So, at least, I will be in something soon—as soon as he calls me.
My boyfriend will see me somewhere as I saw him on the big Armani advertisement on the Sunset Strip and he will remember what I look like and he will regret that he left me and he will feel the urge to call me and…. And I’m sorry, but it will be too late because, by that time, I will be someone, and I won’t be there thinking of him, drinking for him and crying for him; not anymore… totally not.”

Yes, there was something disturbing about her figure, but still, you just couldn’t stop looking at her when she was talking about this new drug called “speed” all of her friends—and herself—are into. When she was talking about how she would like to take a break from alcohol to make it big as an actress, but she said it is just the acting thing, all those auditions that seem to lead her nowhere, that makes her drink. When she was talking about how she would let the cocaine out of the picture, but she said the coke is just what she needs to stay sober from drinking. When she was talking about how her mother, that is married to someone in Colorado, calls her “all the time, just to make sure I don’t go to sleep too late at night… but we always end up getting so mad to each other.”

There were so, so many other things she was talking about. And, even if they were making no sense at all, you couldn’t stop listening to her. You couldn’t stop watching her.

There was something, about this girl.

Story by Liliana Isella.

Photo: Model Chanel Iman.

____________________________________________________

* Once Bitten Twice Shy by Great White.

 

BIANCA

In NO SPEAK ENGLISH on May 5, 2010 at 11:03 am

L’odore del cloro prende alla gola sin dalla strada. Un odore coriaceo, che si ostina sulla pelle molte ore dopo il bagno. Una volta oltrepassata la porta giunge invece il rumore sordo dell’acqua agitata dai corpi e le grida giocose dei bambini tra gli spruzzi. 

Ambiente piastrellato, igenico ed ovattato. Si accorge che quella che lei ha sempre considerato una distrazione – il fatto di dedicare la propria pausa pranzo ad una sana nuotata – non ha in realtà nulla di spaesante rispetto alle giornate passate in ospedale.
Spinge avanti due monetine verso il cassiere, e si avvia verso gli spogliatoi. 

Nascosta in un vicolo del quinto arrondissement, nel cuore del Quartiere Latino, la piscina Pontoise è un gioiellino architettonico degli anni trenta. Sotto un’immensa vetrata si specchia la grande vasca circondata dalle cabine, distribuite su tre piani e separate dal vuoto da una sottile ringhiera in ferro battuto.
I cabiniers accolgono i nuotatori, scelgono per loro una cabina e ne aprono e chiudono la porta.   

Vi si respira un’atmosfera che ricorda quella dei primi bagni romagnoli:  le porte sono di legno azzurro o bianco a seconda del piano, ognuna con un forellino ritagliato proprio all’altezza degli occhi per permettere di afferrarle, essendo prive di maniglia. A Bianca ricordano i film interpretati da Edwige Fenech negli anni del voyeurismo soft; chissà quanti si sono lasciati tentare da una sbirciatina. 

Fa un cenno al cabinier perché le apra la numero 75. Appoggia la borsa, si toglie le scarpe, fa scivolare le calze, sfila lentamente gonna e camicia e li ripone con cura sull’appendino.
Una volta nuda, osserva con occhio critico il proprio corpo:  i piedi con le cipolle che iniziano a dolerle perché porta troppo spesso i tacchi, le unghie senza smalto, i polpacci salienti e la pelle delle coscie che inizia a cedere proprio sopra al ginocchio. 

Il pube, e i suoi riccioli neri. So eighties, direbbe Matthieu, che si rifiuta di farle l’amore se non è perfettamente depilata.
“L’épilation intégrale est une mode héritée des films pornographiques américains. Elle reflète l’influence de la culture américaine sur les mœurs européennes et l’obsession hygiéniste de la société d’aujourd’hui”*, ha letto nel quotidiano Le Monde.
Anni di lotta per la parità e siamo ancora qui, pensa annodando la lunga capigliatura in uno chignon.

Eppure la affascinano queste contraddizioni, sopratutto quelle di Matthieu, che si scandalizza quando lei racconta che in ufficio il suo stipendio è piu’ basso di quello dei suoi coetanei di sesso maschile, che accetta di essere invitato a pranzo senza considerare l’invito un’offesa alla sua virilità, che rivendica alto e forte la condivisione delle fatiche domestiche.
Matthieu è anche molto attento al proprio aspetto fisico, compra creme anti-rughe, sceglie ed abbina con cura i vestiti e si reca regolarmente dall’estetista.
Metrosexuel, direbbero i sociologi. Una volta sotto le coperte, pero’,  scopre un uomo che ama possedere, che le chiede di incarnare le proprie fantasie e preferisce farla sua da dietro. 

Dopo avere indossato il costume,  si volta verso la porta. Incuriosita, si avvicina forellino per guadarvi attraverso, trovandosi alla sua altezza.
Sussulta. Una pupilla in tutto simile alla sua la osserva; pupilla marrone che appena intravista scompare. Con uno scatto  indietreggia, troppo sorpresa per reagire. Afferra poi la porta ma fatica ad aprirla e, una volta fuori nel corridoio, è vuoto. 

Le scappa da ridere. Prende l’asciugamano e si incammina verso la vasca.
Da un’occhiata all’orologio a muro: sono le 12.50. Si fissa mentalmente l’obbiettivo delle 13.35.
45 minuti è la durata minima dello sforzo fisico perché sia produttivo”, le ha insegnato Adrien. Sotto i 45 minuti, tanto vale starsene a casa sdraiata sul divano a sgranocchiare pop corn davanti alla TV.
Bianca si aggiusta gli occhialini sul naso, sistema la cuffia e lancia braccia e testa davanti a se in un tuffo. 

Photo by Alice Sienna

Acqua. Un brivido la percorre mentre si lascia scivolare nel blu.
Quiete dei fondali metropolitani. Le piace nuotare perché il silenzio, unito al ritmo dalla sua respirazione subacquea, schiarisce le idee. 

Dal fondo della vasca ed intravede le sagome di altri corpi che si muovono lenti.
D’estate, quando abbandona la spiaggia per il largo, le piace osservare la superficie da sotto, filtrata dallo specchio mobile del mare.
Muove piano le mani e segue con lo sguardo le scie dei flutti e i riflessi dei raggi di sole, ma presto viene risucchiata a galla. 

Nella sua corsia i nuotatori si inseguono in una danza disarticolata trascinando scie di bollicine, come nuvole perse in un cielo terso.  
Si unisce a loro nuotando a rana, mantendosi a debita distanza dall’uomo che la precede.  
Pensa all’ultima cena con Matthieu, segnata dal tintinnio delle posate sui piatti e dallo sguardo fuggente di lui mentre le parlava del piu’ e del meno.
Era già tardi quando sono arrivati al ristorante; hanno ordinato frutti di mare e c’erano le ostriche ma lei non aveva fame; non aveva fame perché sapeva che lui stava per dirle quella cosa

Ma alla fine lui non ha aperto bocca, se no per quel piu’ e quel meno. Hanno bevuto molto vino bianco ed entrambi non vedevano l’ora di lasciare la tavola.
Lui poi ha finto un mal di testa e si è rifugiato in un taxi. 

Non riuscirà ad ammetterlo.  Scaccia via i pensieri concentrandosi sul nuoto. Deve mantenere il ritmo perché ha scelto la corsia veloce dove di solito si nuota a stile libero, mentre lei si ostina a nuotare a rana. 

Durante la pausa pranzo le altre corsie sono affollate da casalinghe in sovrappeso o pensionati che procedono lenti. Le poche volte in cui si è trovata fra loro ha optato per la tavoletta, lavorando sulle gambe, e anche li’ era troppo veloce. 

Sentendosi raggiunta, accellera il ritmo e cosi fa il battito del suo cuore pressato dallo sforzo. Affonda e solleva la testa dall’acqua soffiando l’aria fuori dai polmoni con energia. Quando gli occhialini le si appannano, si decide a prendere fiato. 

Tornata in cabina si toglie il costume che fa splash a terra. Com’è brutto il rumore dei vestiti bagnati. Appicicaticcio, come l’odore del cloro.
Strofina energicamente il corpo e i capelli con la salvietta. Piegandosi per asciugare i piedi si accorge di aver calpestato un foglietto di carta e lo afferra con la punta delle dita.
E’ inumidito e l’inchiosto è sbavato, ma si riesce ancora a leggerne il contenuto.
“Je vous ai vue, vous êtes belle. Vous m’avez vu aussi et vous avez aimé. Appelez-moi.” **
Segue un numero di telefono. Lettere e numeri si ritagliano sulla carta  con eleganza, sottili ed affusolati, quasi a tradire l’abitudine dei legami epistolari.
Sorride. 

Bianca si avvia verso l’uscita. Fuori c’è il sole e soffia un venticello frizzante che ricorda l’inverno.
Si lascia sorprendere da uno starnuto e le torna in mente quel proverbio carico di saggezza popolare:“Avril, ne te découvre pas d’un fil.”***

Story by Alice Sienna

___________________________________________________________

* La depilazione integrale e’ una moda ereditata dai film pornografici americani. Riflette l’influenza dei costumi americani sulla cultura europea e l’ossessione per l’igene nella societa’ del giorno d’oggi.

** Ti ho vista, sei bella. Mi hai visto anche tu e so che ti ha fatto piacere. Chiamami.

*** Aprile, non ti scoprire piu’ di un filo.
Il proverbio vuole intendere che ad Aprile la bella stagione puo’ ancora alternarsi con le piogge; in questo caso, oltre a riferirsi allo starnuto della protagonista Bianca, si riferisce ironicamente anche al suo togliersi i vestiti nella cabina della piscina.

BENEDICTE

In INTER-REVIEWS on April 30, 2010 at 9:54 pm

InteReview with Benedicte Schoyen on her educational dance movie for kids,  The Music Box.

What’s your mission?
Where’s your magic?
And, above all, how’s your dance?
Benedicte Schoyen comes to check on our personal fairytale with her movie, The Music Box, and guide us toward its very happy ending.

The Music Box

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Originally for kids for its clear educational structure and purpose, the story is a metaphor that fits any age and life’s stage.
Seven friends find themselves in a magic box where a prince has been trapped for over a hundred years; their mission is to dance him free by learning the steps of each of the seven characters in the box: a Teddy Bear, a Jazzy Cat, a Beautiful Ballerina, a Golden Ballet Bird, a Hip Hop Pirate, an Exotic Princess and a Tap Dancing Clown.
By pursuing the prince’s freedom through the dances, the kids will gain back their own as well and, like in every respectable fairytale, a romantic love will seal the end.

The Beautiful Ballerina and the Tap Dancing Clown

I asked Benedicte, dance studio owner, choreographer and ballet professor at UCLA, what’s her motivation behind the movie, which is her first project done since she founded Born To Play Productions in 2007.

Benedicte: I wanted to make a DVD for kids that would inspired them to dance. Kristin Proctor and I sit down and wrote the first draft of the story together. Terje Lindberg wrote the final script.

Fact is, the real magic of The Music Box is that, as the friends learn the seven dances, the kids at home learn them as well!
The DVD has interactive sections to teach and make them practice each character’s dance steps while another section features the interviews with the dancers, who share their artistic relationship with their character and, more in general, with dancing as their job and a way of life.
For those who don’t find the stage appealing, instead, there’s the “backstage” part to introduce the kids to some of the technical challenges and fun of the occupations behind the camera.

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LILA: How was your first experience as a movie producer?

Benedicte: I never went to film school, but I have gained so much experience throughout these years as a dancer, choreographer and studio owner… movie production is not brain surgery, after all.
I figured I needed to get a good crew and hold on to my vision of what I wanted the result to be.
We got friends and family to invest and tried to put as much money as we could. I had free rehearsal space at my studio, and we re-used a lot of the costumes I have collected through the years. Another huge thing is that my husband wrote all the music and he like me worked for free.
Then we got on board Stein Gausereide, who was running a green screen studio in Hollywood and Hans Mills, our set designer. I know them both from playing volleyball on the beach in Santa Monica.
All the dancers in the movie are friends from my dance studio.
Since we wanted to do a Norwegian version of the show as well, we also hired some Norwegians we flew in from Oslo; kids and crew that I had worked with over there.

Benedicte (center) and some of her dancers on the set of The Music Box

LILA: So The Music Box is available in two languages, English and Norwegian?

Benedicte: Yes, in Norway seventy pre-schools are already using The Music Box, both the DVD and the Activity Book, for their kids. 
We shot fourty minutes of film in two languages in five days. It was insane. The kids and their parents were amazing and our crew did a fantastic job. Our dancers had to stand for the longest time in frozen positions on their boxes and no one ever complained. I know how hard that is, and I am so thankful that I got to work with such supporting people.
I stepped in and directed the instructional bits in the film and wrote some of the camera directions.
I also did some parts of the Teddy Bear because my friend almost had a heat stroke in that costume.
I basically stepped in all over the place to help wherever I could, so we could get the shoot done on schedule. I think I slept a total of fifteen hours, those five days.
My biggest lesson is to schedule more time for the shoot, next time; however, then you need more money.

LILA: Talking about money, what are your plans for the distribution of The Music Box?

Benedicte: The funny thing is that it actually was easier to make the DVD than to sell it. So, now I am learning a whole new thing, about self distributing a DVD.
God bless the internet. Now, people like me have a chance even without a big company backing you.
I believe that, as long as you actually have a product that people like, it’s only a matter of time plus an extreme amount of hard work to make it happen. I am learning to be very creative to find ways to promote The Music Box on a zero budget.
It’s all about numbers and track records for the big companies to pick you up; if you can show good sales they eventually will come on board.
We were offered a distribution deal that was so bad that, for the moment, I rather sell through Amazon and go to the post office every day and ship the DVDs out by myself.
Sometimes, you gotta have ice in your stomach….

InteReview by Liliana Isella.

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VIRGIN MARIA

In LITERARY FICTION on April 26, 2010 at 2:23 pm

Maria, who lives in Los Angeles, receives a call from her mother, who still lives in a small village in Italy.

Mother: “Your father is sick.”

VM: “Non-fat milk please…. What?”

Mother: “He turned seventy last week. I mean, seventy-one, already.”

VM: “Is this my Chai Latte? Non-fat, right?”

Mother: “He came here to celebrate together. He asked if you need anything. He always does.”

VM: “Wasn’t Hot Topic next to Starbucks?!”

Mother: “I gave him the pictures you sent. He almost….”

VM: “…”

Mother: “What do you have there you didn’t have here?”

VM: “Cheap rock ‘n’ roll clothes, mom. That’s America.”

Mother: “Did you need more clothes?!?”

VM: “…for the concert tomorrow – yup.”

Mother: “Do you sing now?”

VM: “I’m just gonna go see my married man with his new Gibson.”

Mother: “You said you’re getting married, Maria?”

VM: “…why do you always…?!?”

Mother: “…oh Gesu’, I made you too beautiful for….”

VM: “…and I took your beauty away, didn’t I? Probably my man thinks the same of his wife, when he looks at his kids.”

Mother: “Well, your intelligence comes from your father, but the beauty is from both of us….”

VM: “I wonder if she has the same scar I left on your belly.”

Mother: “I showed Angelina our wedding album the other day and she said you had never told her how much you look like your father….”

VM: “…”

Mother: “We… we have always tried to…”

VM: “Oh, there it is – Hot Topic!!!”

Mother: “…you were the best thing we have been able to do… but you were just too good for us….”

VM: “What a cool pink skirt… oh, there’s also in black and red!!!”

Mother: “I’ll see if next month I can send you something… or I’ll tell your father you need a new skirt…. How much is it?”

VM: “Nothing.”

Mother: “Come on… do you still wear our Christmas Ray-Bans?”

VM: “You know my account number, so….”

Mother: “What about that boy you met in Amsterdam?”

VM: “What?”

Mother: “Why don’t you go to his concert, instead… doesn’t he live in Los Angeles too?”

VM: “I have no idea of who you are talking about….”

Mother: “Antonio… the nice one… the one with the painted arms….”

VM: “…you mean rock icon Anthony Kiedis, by any chance?”

Mother: “Antonio… yes, just him!!!”

VM: “Oh my… he already had a kid last year.”

Mother: “Better for you.”

VM: “…I don’t even know how to….”

Mother: “He is not married. He’s a good guy.”

VM: “Mom, he is a drug addict….”

Mother: “Good! Go look for him in one of their met-tings, then!”

VM: “…you still go to church, mom?!?”

Mother: “Oh, I heard they have those met-tings in the churches too… ask around to see which one he goes to.”

VM: “…but….”

Mother: “…but nothing. We are old, but you are young… and you are very good at pretending, so….”

VM: “So…?!?”

Mother: “So, tomorrow you wear your new skirt, go to the met-tings and ask Antonio if he wants to come to your married friend’s concert with you, the next time.”

Story by Liliana Isella.

BON SCOTT

In ROCK'N'ROLL on April 16, 2010 at 4:29 pm

“We’re what we are and we ain’t gonna change for nobody.”
Bon Scott, AC/DC

Bon is LILA’s PICK OF THE WEEK  as I love:

-his theet.

-staring at his facial expressions with no audio.

-the way he covers up his impatience with patience.

-the lack of pretence to give a fuck about the things he doesn’t.

-his playful smile.

-his short life.

-the childish light in his eyes.

-the melancholy for all those things he sees but will never say.

-the true sweetness only troubled souls can get.

-the kindness of his roughness.

-the shy sexiness in his sense of humor.

-the polite naughtiness of his mind.

-the tenacity of a Cancer.

Ladies and Gentlemen, Mr. Bon Scott:

Story by Liliana Isella

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THE SECOND COMING

In PICK OF THE WEEK on April 3, 2010 at 2:22 pm

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Modern Devotional by Michael Hussar

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.
The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

Poem by William Butler Yeats.
Image by Michael Hussar.

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ONE DAY LAST SUMMER

In LA NOIR on March 31, 2010 at 3:27 pm

1. Hot Air

The patio was a small rectangle of white concrete and red brickwork baking in the afternoon sun. It was wedged between the house and a steep hillside behind. At the far edge of the patio, a long row of terra cotta pots were lined up. Each clay pot was filled with dirt and contained a sprig of broken plant material, long dead. A small birdbath sat silent in the far corner, its concrete basin cracked and broken, dry as a bone.

On the other side of the terra cotta frontier, lay the steeply rising hillside, an unexplored world of brown dirt and native oak trees. The three-year drought had killed off all but the hardiest scrub brush. Even the leafy swords of a large yucca plant were losing their battle with the hot, dry air.

I opened the sliding doors in the back of the house. A blast of hot air hit me in the chest. The glare of sunlight reflecting off the white concrete blinded me. I stepped outside. 

Our old teak picnic table, once used for tall drinks and stuffed olives had been abandoned and was now pushed into a corner against the house. A small roof overhang created a dark refuge of cool shade directly over the table.

I put my glass of ice water down and tried to brush off some of the dirt that had accumulated on the bench behind the table. I sat down anyway, pulled my knees up under me and leaned against the cool green stucco wall of the house.

My water glass was sweating in the heat and cool to the touch. The drink was calm and refreshing and I gazed up at the top of the hill. Barely visible behind several large oak trees was the rectory of the local parish. A handsome young priest lived there with a pretty blond wife, four young children, a golden retriever and a pool.

The Lord is my shepherd; I shall not want.

A crashing sound through the trees high above broke through my thoughts.
Whatever it was moved quickly, descending straight towards me, arms swinging recklessly at his side. Sunlight glinted off the metal of something small held in his hand, in a tight, not so reckless grip. 

I made myself small against the house and watched Dave, my neighbor, imitate a steeple chaser trying to clear a pasture fence. He jumped over the line of terra cotta pots with a punishing landing onto the patio concrete. He had a rod in hand, but I was pretty sure that he wasn’t there to offer me comfort and guidance.
I shrank into the dark patch of shade against the house, pretending to be invisible.

He cried out in pain and rubbed one knee, hunched over, panting in the bright sunlight.
Dave’s brown hair did as it was told and covered his head but his stomach rebeled. Folds of shameless fat escaped from his tight white shirt.
His yellow/green eyes, shaped like upended teacups, looked almost intelligent. His eyebrows weren’t helping. They were thick and black and professionally shaped and I could see rivulets of sweat and dirt rolling between his eyes and down his nose. If he were ever going to work again as a stuntman he was going to have to do better than simply groom his eyebrows and bleach his straight white teeth.

Finally he caught his breath and straightened his back up. He looked quickly around the patio, and with a deep oblivious sigh walked directly in front of me, and then around to the side of the house. He let himself out by the side gate and I heard him lift the latch, and then jiggle it from the other side. I didn’t move.

A small brown bird landed on the crack in the concrete birdbath and poked its tiny beak into the hole. It moved its beak back and forth and then rose into the air, stumbling off in the heavy afternoon heat.

 2. Midnight Blue

I didn’t seem able to move. I was thinking.
I wasn’t thinking about Dave. Dave was a distant memory; easy come, easy go. I was thinking of my mortgage. I was thinking of the balloon payment that was due, and the money I didn’t have. And most of all, I was wondering if and when my husband would ever come home.

The sun had finally fallen out of the sky but that hadn’t done much to cool down things. The backyard was a hot oven and now it was quite dark. I sat in the same position as earlier in the day, crouched behind the picnic table.

A long low howl from a dog started up in the distance and then suddenly fell quiet. A door slammed somewhere down the street, and the traffic on the Pacific Coast Highway reminded me of the roar of ocean waves. Sweat from the day clung to my shoulders like an old damp shawl pulled from a dumpster, and my water glass was empty and dry. I ran my tongue over my teeth looking for a drink.

I heard the sharp yelp of a woman and then footsteps running. A car motor started and roared away into the distance and then I went back to listening to the silence.

It must have been close to midnight when I heard sounds coming from the front of my house.
Someone started a conversation with my doorbell, and it turned into an argument. When I couldn’t take the pounding on the door anymore, I hauled myself up, opened the sliding glass doors, went back inside the house, walked down the front hallway and opened the front door. 

“Dave?” I didn’t recognize him. He must have gone home and showered after I last saw him because he was cleaned up considerably.
His black hair was damp and smelled freshly washed and it was slicked neatly down behind his ears. He wore a dark blue silky shirt ducked neatly in around his thick waist and he wasn’t sweating. His long arms hung loosely at his side and I didn’t notice a metallic glint anywhere.

He showed me his bleached teeth and examined me with sad eyes. 
“Andy in?”
“No,” I said.” I looked steadily for a moment into his eyes, and then slowly started to close my front door. 
He must have misunderstood, thinking that I said, “Come on in,” because he stuck out his long arm and pushed my front door back open.
“He’ll be back in 5 minutes!” I said. I tried to think if I had shared with any of my neighbors the news that my husband Andy had taken an unofficial Spring Break from our marriage, AWOL since April. 
“What do you want anyway? Stop it,” I said. Dave was walking into me, backing me down the hallway. I abruptly stopped and he ran into me. “Go home, Dave. There’s nothing for you here.”

“I need your car, Tracy.” He said. 
“I like dancing with you swell, Dave, but shove off and find your own car.”
“I don’t have a car. Sandy took it.” His eyes were sad again. His lips looked thin and squeezed together and his upper lip was perspiring. “Help me, Tracy.” 

He was too large to push so I let him go by. He rushed into my living room and looked surprised at all of the books in the bookcase. 
He went over to the wooden entry table with the glass top, and using one hand, he started to rummage through the piles of mail looking for my car key. 
His other hand was wrapped around something. I couldn’t quite make out what it was because it was stuffed in his pants pocket.

He stopped to admire the cover of one of Andy’s GQ magazines.
“Is that a gun in your pocket, or are you just glad to see me?” I said, calling his bluff.

Ten minutes later, I was behind the wheel of my metallic green Volvo, backing out of my driveway with Dave and his little Beretta compact pistol next to me in the passenger seat.
I turned right off Sunset, heading north on PCH, following the coastline. We were going to Santa Barbara, Sandy’s hometown. 
Dave thought Sandy might be there.

Photo by Ramona Candle

3. Champagne Cupcake

It was quiet in the car. Peaceful. It was almost as if we were out on a date, except that I was married to someone else, and Dave held a gun at my side.
Other than that, it was a romantic evening with the ocean on one side, the mountains on the other, and a peaceful hum in the summer night air.

Sandy…..

Sandy was Dave’s wife. They moved into the neighborhood only a few months ago and I didn’t know her well. Sandy was drop-dead gorgeous – platinum blond – or Champagne blond as some like to say.  And if you believe the rumors, she was once a Playboy bunny.

I can’t vouch for the Playboy part, but it’s pretty much fact that Sandy was once a pinup girl.

I saw her once. Leaning against her bed. Sprawled on a fluffy white rug, wrapped – more or less – in a thin power blue blanket, and not much else. All rosy and round – like some kind of a pink Champagne cupcake. The painting was 1/3 to scale on canvas. In oil. Some artist had painted her for a magazine cover, she said.

She’s the type of woman who could make a man hungry just by looking at her.

We drove past the Malibu Colony. The street lights thinned out considerably, and then, suddenly, they disappeared. After Zuma Beach, where the Coast Highway runs next to the ocean, I couldn’t see the water but I could feel its immense black expanse next to me as I drove. There were a few stars in the sky reflecting their lights off the ocean waves, twinkling, keeping me company.

“Why did she leave?”  I asked just to be saying something.

A small silver convertible with four young joy riders out on a hot dark summer night whipped past us going close to 100 mph. Suddenly, their bright lights blinded me and I held onto the steering wheel tightly, taking it on faith that the road continued straight. Then, the car was behind us.
We were alone again in the dark. I looked at Dave. A large tear was slowly winding down his cheek.

“I loved her,” he said. I thought for a moment that he had a candy jawbreaker in his mouth. He was moving his jaw back and forth hard enough to crack his molars.
“She was cheating on me. God damn Priest.” His wet sad face had the soft vulnerability of an uncooked biscuit. 

I kept to myself and we drove on in silence.

4. Light in the Darkness

North of Oxnard, after on particularly long stretch of empty highway, an oasis of light loomed up in front of us, promising not only gas, but something to eat. My fingers were numb from gripping the steering wheel.

“Hey, Dave…” I said. I felt him grinding his teeth, listening.
“We need gas.” 

The teeth grinding never stopped. I gripped the steering wheel tighter; my fingers felt tingly.
“Don’t worry. I have a debit card in my purse. I’m going to stop and fill up the tank,” I said.

I took his silence as agreement and I pulled the Volvo into one of the self-serve islands in front of the minimart. A garish inhuman white light illuminated the empty pumping islands; no other cars or people were in sight. I saw the clerk in the shadows of the store window, peering out trying to see who had driven up.

With a push of the button, I turned off the keyless car engine. I removed the key from the slot, and I opened my car door.   
“Wait…” Dave’s voice was scratchy and hoarse, out of practice. “Give me your car key.” 

I handed the key to him, filled the tank and when I finished, I got back into the driver’s seat and looked at him. “Don’t you want to get a snack or something? You don’t look well.”  I said.

He didn’t look well. He looked pasty and his thin closed mouth was tightly clenched.
“At least get out and stretch your legs a little,” I said.

He took my cell phone from the side cup holder where I had stored it, and his gun from his pocket, and he put both in the glove compartment. I had to show him how to lock the compartment, and then he opened his door and got out.

Leaning into the car, he asked: “Do you want anything?”
“Chips and a Coke. Diet,” I said.

I watched him walk toward the mini-mart and open the door to the store. Holding the door open, he turned back and looked at me. He made a show of pushing the remote “auto lock” button on the car key for me to see, locking me in the car, chuckling to himself. We both knew that I could open the car from the inside but obviously, I wasn’t going to just to run off in the dark on foot, alone. Dangling the car key in his hand, he grinned. He looked happy for the first time that day.

Wise guy. I smiled back with a sad smirk. At least he was happy. 

I watched him as he turned and walked into the store, past the clerk at the front register, and then, he disappeared into the shadows.  When I couldn’t see him anymore I grabbed my purse, and emptied my wallet of everything except $50. I leaned across the passenger seat, opened the passenger door, and chucked my wallet out. It landed next to the gas pump where Dave might find it if he thought to look.
I put my seat belt back on, and started the car by pushing the Volvo’s start button. I pulled the car out of the station and onto the road as quickly as I could.
Too bad Dave didn’t know that I kept a spare car key in the glove compartment and that it worked remotely from anywhere in the car. Too bad.

I headed south down that long dark road with a full tank, no money, and a cell phone locked in the glove compartment, out of reach. Just me and my car, and the open window.
The cool breeze on my face felt like freedom.

I approached LA and the lights of the city increased. A plane was in the sky above me. Quiet at first, and then with a roar, it passed overhead. The sound died away and I imagined the passengers buckled safely in, reading magazines or watching the TV while they cut through the air, gliding through the darkness, going home.

5.  Home

I turned left off the Coast Highway and up towards the hills. My gas gauge said “empty” but it didn’t matter; I was home.
I parked my car and watched a little bird land on the low branch of the Sycamore tree in front of my house. He hopped on one foot, gave a long piercing chirp and then fell silent. In front of the tree, an emaciated coyote, head down, tail tucked between his legs, scurried up the street, heading for the mountains behind the houses.
Most of the sky was a still a dark velvet blue but in one corner there was a growing glow of light. The air was still and warm. It was going to be another scorcher.  

I opened the sliding glass doors to the back patio and I walked outside. An acrid smell of wet wood and a recent fire was in the air and the terra cotta pots were covered with a thin layer of ash.

A lonely little bark came from under the picnic table. It was Dave and Sandy’s pet bulldog, El Cid, covered in ash, cowering.

Investigators showed up later that week to tell me that someone had torched Sandy and Dave’s house on the night they went missing, and to ask if I knew who did it.

I never did see Dave or Sandy again.
I did see the Priest. He came knocking at my door asking for Sandy, and he told me a tale of careless love and jealousy, and loss of faith. I recently heard that a new priest – this time without a family – had moved into the parish rectory.

These days, I keep El Cid and Dave’s little Beretta handgun close; one’s for company and the other is for protection, not necessarily in that order.

Story and image by Ramona Candle.

RHIANNON

In LITERARY FICTION on March 26, 2010 at 4:21 pm

All your life you’ve never seen
a woman taken by the wind
Takes to the sky like a bird in flight and
who will be her lover?
* 

― “She was walking down the street as I was driving up on Western and Wilshire.
It was 1976.”

His voice is white.
White and firm as his strong, attractive head.

― “She was gliding over the sunset hour.
She walked into my life from an arch of fire.
She trapped my eyes in the density of that curve, where the sun twists its rays in the last moment of their tango.”  

Our Italian waiter looks at our hands on the table.
I see what he’s thinking. He’s wondering if with Jeff’s status he could find a way into my hands too.
Jeff doesn’t perceive any of the on-the-spot screening on his houses, women and business and, simply, he goes on:

 ― “On the walk side of that late afternoon, Hollywood was delivering me its prime time, baby… and, I didn’t hesitate to catch it.”

She rules her life like a fine skylark
and when the sky is starless
*

 ― “The first evening we met her scent was as promising as heavy clouds running in a dark heaven that has seen no rain for a long time. I had called her down here to the beach at Giorgio Baldi’s… this was already the restaurant you had to show up at, if you were in the business….”

Our pizza-soccer-mandolin guy is now searching the answers to his existence in my thighs.
Jeff maintains his blindness:

― “….we spent hours pretending to unfold each other’s secrets in the velvetiness of the red wine, until the dizziness let our undressed illusions sink in the chant of these waves…. Of her tan body I remember high heels supporting its crystal strength, as black as the butterflies playing with the moon’s reflections through her indomitable hair.”

As Jeff’s memories get lost in his whiteness, his fingers search for a tighter hope in mine:

― “She was so different from any other woman. She was such a lady.
She was like you, baby….”

She is like a cat in the dark
and then she is the darkness
*

Our annoying food and beverage attendant steps out of his favorite corner of espionage to take the orders.
When we are done, my doubts find the courage:

― “…when did that red wine of your reciprocal euphoria become the lonely company of her private affliction?”

― “…she just stopped smiling.”

― “…out of nowhere…?”

Jeff’s eyes look for the door through the candle lighted whispers in the dining room.
After a brief moment that feels too long, they end on our tablecloth:

― “We were recording that famous song in the studio….”

― “Which one? …you recorded hundreds….”

― “Rhiannon.”

― “Rhiannon like, me…?”

He softly moves his Ray-Bans around the bread basket.

― “At some point, I was hanging out with the woman who wrote it….”

― “…you mean hanging out like hanging out or hanging out like fucking each other?”

Jeff lets his head fall to the table as if he will never raise it up again.
I wonder why the remaining romance in the room isn’t screaming at him yet.
All of a sudden. Screaming at him.

Apparently, Giorgio Baldi Restaurant’s romance has always been too busy playing itself out to notice anything than its own projections.
Jeff’s head is shacking:

― “…she found out when she was pregnant of you.”

― “…and, she decided to call me like that song…?”

― “She said Rhiannon was the witch who took her love away from her and so Rhiannon was the fairy who was going to take it back.”

― “…and that Rhiannon was supposed to be me?!”

I’m afraid my voice is too loud and I automatically turn toward our self-declared macho’s status.
He cannot even hold the giggling anymore.

Would you stay if she promised you heaven?
Will you ever win?
* 

― “Dad, how did you make her that sick and desperate? Please….”

― “You were such a quiet baby…. Maybe you knew our mess and you were trying to fix it by turning into an angel.”

― “Maybe. Clearly, I failed.”

― “No baby, don’t say that…. She lost. I lost.
You, you are not us—you’re just the best part destiny could save of us.”

Our server delivers the check.
For Jeff, just one more.
As he puts his money in it, I stand up and walk out of our song.

Story by Liliana Isella.

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___________________________________________________________

*Song by Fleetwood Mac, Rhiannon

 

JULIANA

In LITERARY FICTION on March 17, 2010 at 3:09 pm

In memory of Juliana Redding (Tucson, AZ, December 31, 1986 ― Los Angeles, CA, March 17, 2008)

Juliana

Los Angeles, March 17, 2008
5.33 p.m.

You know I’m a dreamer, but my heart’s of gold…*

Tomorrow, manicure.
Bitten nails don’t look good ― not on camera.

Do you remember Melissa’s fingers?
She was playing the piano forever.
Her runaway notes heart-painted those fuchsia sandy afternoons, the iced sky mornings, the violet windy sunsets and the warm starry nights.
They sharpened the mountains’ rocks, perfumed the petals’ wilderness, aired the palms’ spikiness and dew dropped the tricky cracks of my land of dryness.

Her music saved that stillness from falling into a dead corner of my eyes.
If I try a closer smile to the mirror, they are still the window on those desert’s years, GiGi, ‘cause all our dreams keep in our eyes the first place we dreamt of them. So was this ocean, these hills of fame and, yes… you too, puppy puppy!!!

You know that I’ve seen too many romantic dreams… *

Richard, too. He landed into my eyes a long time ago.
Melissa flew him into my bones.
It took my heart no time to recognize his forceful steps, last week.
The black paint of his long beard of secrets, half hidden under the nonsense of that funny hat, perfectly matched the vintage light of the breezy Brooks Avenue.

“Nice Ray-Bans.”
Just the time for his bold confidence to overtake my disorientation and I was already lost into his freedom.
He’s as wild as my Arizona flowers.
He’s from a different world ― that’s why he lives in his own. That’s why, at night, he lays his torments under that palm tree in the sand of Venice.

“There’s something circular about him, like moths fluttering in the clear Arizona nights.”**
This phrase’s the silver screen Melissa’s piano made me play Los Angeles on, waiting for Richard to make his entrance.

Yesterday at the beach I asked him if he was happy, the day those fuchsia, fully blossomed lips nestled on the veins of his neck.
His eyes first stretched down to the right to reach The Kiss of Death tattooed on his skin; then, they came back into mine: “Yes.”

That was the most ferocious and the most melancholic yes that ever kissed my days.
That’s the kind of yes that comes with forever.

They are knocking at the door all at once, GiGi.
My dreams are here, even if I leaf through the pictures of these fashion magazines and I wonder if the girl on them is really me… it seems like this life is happening to someone else, sometimes.

“Our life doesn’t really belong to us.”
That’s all my eyes say, when they look back at me from those magazines.
That’s all you get to learn, here in LA.

I’m on my way, just set me free, home sweet home….*

By the way, who’s playing the incredible piano in this song?
Melissa would know it. Richard must know it too. That rucksack where he keeps all he has is so full of music….

Where are you looking at, GiGi?!
Did you hear the same noise I did?!
Let me go check the door, babe….
Mommy will be right back.
I promise.
Right back.

Story by Liliana Isella.

______________________________________________

*Song by Motley Crue, Home Sweet Home

**Excerpt from Bret Easton Ellis’ book The Rules of Attraction

 

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