Literature In Los Angeles

Author Archive

NIC KELMAN

In INTER-REVIEWS on March 15, 2010 at 3:36 am

Interview with bestselling author Nic Kelman on the connection between his writing and photography.

Tokyo by Nic Kelman

LILA: As a writer, in your novel Il Comportamento della Luce (The Behavior of Light), you explored and analyzed the physics of light under an interesting perspective. How is your relationship with light as a photographer?

NIC: Light is everything as a photographer and I think one of the things I try to work on in my photography is being able to not see the objects, but the light.  We are so used to accepting and categorizing what we see as the objects we identify in our field of view that it is sometimes hard to see above and prior to that to the light that must come before the object.  So I guess, as a photographer, I try to constantly look for the light that I know is there before the object and remove it from the object, find it before the object’s definition takes over, and then attempt to capture it in its more pure form.

Bangkok by Nic Kelman

LILA: In girls, your focus as a writer was mostly on the obsessive, materialistic attractions that rule social relationships in the Western society. As a photographer, your interest seems more on catching evanescent and melancholic details of objects and cities. How would you explain this difference of attention?

NIC: This is a very good question and one I haven’t really thought about before even though that distinction is correct. I think what it comes down to is that I find the abstraction of reality more “pure” an expression of reality. However, ironically, even though the use of language is the most abstract art form, it is also the most difficult tool with which to create abstractions. Perhaps this is because the very purpose of language is to remove abstraction from reality and to create definition of the world around us? Regardless, I find in-camera photography fascinating for its very ability to capture something that is concrete, that must have existed in the material, sense, that must have been palpable, and somehow make it seem unreal or dreamlike. Art, to me, is primarily the abstraction of reality through the artist’s personal lens, but when the lens is words, that abstraction must be more concrete than when the lens is, well, a lens… So in the latter case, I think I like to make the most of that advantage.

London by Nic Kelman

LILA: If you put together your experience as novelist and screen writer and your fine “camera eye,” your next step might be directing a movie… ever had any thought about it?

NIC: Definitely. It’s a big step though and one that, honestly, is very, very different from the other forms. Directing is about collaboration and making the most of what you have from many sources. In writing you have almost totalitarian control over what you produce and in photography there is just you, your camera, and the light. I’m not sure I can manage more than that!

Images by Nic Kelman.
Interview by Liliana Isella.

SWEET SIXTY-NINE

In LITERARY FICTION on March 2, 2010 at 1:38 pm

Sunset Strip, Hollywood

Each floor is fitted with its own art installation and if you look inside you can see the beginning of The Simpsons on a loop.

You breeze through the lobby and head straight out to the hotel bar.  

C to F list actors float around in the pool while the B list eats on the terrace below the pool.

The A list owns houses in the area and will put up a wayward relative, but the A list usually comes to the hotel only for its fabulous parties.

I stand behind the desk and apologize for the elevators not working properly. I also sneak down to the smoking area on P2 to light a cig of my own.

I’ve never worked in a hotel with anything better than an AAA rating. This hotel has four stars.

The women are powerful and sexy.
That short little Latina cutie comes to mind, what’s her name, oh yea, Salma Hayek; she’s not here today, but there are others.

Of course we always have the brainless floozies on a free ride.
A lot of hookers but only one male stud, this season.

It’s early spring but the sun is blasting away at us up here on the Sunset Strip.

Around the middle of my shift, my name is put in a hat and tossed about with other co-workers’ names; then, our manager picks a name and reads the name and he is purposely not telling us the name and he crumples up the paper and puts it in his pocket and finally says my name.

I’m the page and have to deliver packages that have not been picked up.

~

101 Dirty Hot Hotel Stories by Jack Appleford

~

Most of the rooms are empty; others answer their door rather quickly and give me a dollar and I move on.

I come to one room where some girls are laughing and giggling and the TV is turned up so loud and I think I hear them tell me to come in; so I do.

They’re gorgeous body lies twisted on the bed.
They’re still eating each other out and I try to keep it “business like” and deliver the package.

Brunette tells me there should be three packages for a good time. Her accent is thick and I don’t understand, so I get a little closer and hope to understand.

She tells me again that she needs three packages to have a good time. She says she has two and only needs one more.

I understand all of the sudden. I hand her the Fed Ex, ask for a signature.
I tell her this is the only package she’s getting from me.

The scent of sweat and pussy are all over the room. Their serpen-teen bodies are glistening and writhing a little, still.

Brunette laughs and says she’ll sign for it and while she signs her Blondie friend starts to stroke my pants and I’ve already got a raging hard on.
Hotel creeds fly through my mind and while I’m trying to think of an answer she has my cock out and is jacking me off.
Brunette slaps her hand hitting my cock too and she lets go.
I turn and put my cock back in my pants and leave and remind myself not to get too close to the animals.

I continue on to deliver packages and come back to the front desk to tell my story to the staff.

They tell me it’s no big deal.
One of the bellmen is upstairs fucking somebody he just met.
The maids are fucking each other in the maids’ closets and in the spare rooms and filming it, sometimes, for porn sites.
It’s amazing any of the rooms get cleaned. They get paid more for fucking than they do for cleaning the rooms.

I’m told that I really don’t know the half of it and to just fucking relax and keep my mouth shut and the show will go on.
I tell them OK.
They tell me the show has been going on for 10 years now.

Nothing makes sense but then the phone rings and somebody comes up to the desk.

I stand there and zone out in the restaurant entrance.
Some girls wave at me from the lobby; they’re dressed in hot pants and bikini tops. I realize it’s the girls from upstairs and they make a funny hand motion; my co-worker sees it and laughs. They go out to the pool.

The pool sparkles and bodies splash around. Somebody has an alligator floatie.
There is a topless woman in the shallow end with floaties and really big sunglasses on. Her drink is kind of floating too, in a weird way.
She holds it just under the water and will tell you it keeps her drink cold.

I get off work, go home and masturbate.

Story by Jack Appleford.

 __________________________________________________________

Short story from 101 Dirty Hot Hotel Stories by Jack Appleford.
The full book is available on Kindle or Kindle Application for Smartphones.

MYRTHA

In LITERARY FICTION on February 16, 2010 at 10:20 am

Photobucket

She makes me wanna die….*

She takes her time. Easy ~ she has it.
Easy ~ she is.

You can only wait. For her, to be back.
Your heart half stands in the green room.
Behind the velvet drapes, among the moon pollution, under the crumbling ceilings.

To cure you. For that, you call me.
As I touch you, you call her “girlfriend.”

She had to go. To town.
To that corner with no underground.

She needed a ticket. She needed a ride.
Russ took her.
I know Russ. You know him too.

Her absence fragments your words.
All. Our. World.

I cross the corridor.
To walk back. To my trashed dolls.

I sit in the darkest corner of the eternal room.
To not listen.

Then, I hear her car.
Her car, her girls and their ozonated convulsions.

To drag your virility out of its birthday of numbness. For this illusion, you gave her the power you took away from me.

I climb to the window. To look down.
At your teen whore queen.

Her wet head is looking around.
In my country yard, within my lost summers, inside the holy temple of my wax dreams.

She’s trying to park her ism of amusements.
Under my window, beneath the dwelling of my daughterness, down to the fortress of my innocence, along the sharpen alley of my wars.

But, there is already a big black Hummer, under this window.
Can’t you see?!

Your elfin whore’s insignificance cannot fit, in my pink and blue days.
Just let the red lights drive her back. To the dead hole the naive tricks of her cunt come from.

You try to learn the universe.
Can’t even converse in universe…..
*

I close the window.
Then, I climb down. To lie and die on these veins of wood.

Their claws will catch me.
Screaming pieces of beaten and broken dolls. They’ll suffocate hopes and scratch rose petals out of my skinned sleep….

~~~

My ears slowly open toward a blurry dawn.
The eyes start burning into the words of this song.
I wonder what kind of creepy weirdo selected it for the early morning radio program.

Cherish the things she knows
Says if I change my stride, then I’ll fly….
*

Myrtha’s laces are hanging from the wall in front of my bed.
Another day of rehearsal is calling for breakfast.

As I try to make it out of this silkless night, you come to paint of purple the orange shyness of this skyline’s rising sun.

Last night.
Spring Street station.
The Balthazar Café. The crowded air.

Then, your hand sliding down on her back.
And the sacred dream cracking down in a million leaves.
That was the exhalation of my last breath. The last for you, Scott.

The pictures of the old country house are still on the night table.
I was in search of an end. To these notes of torture.

The telephone rings.
Giselle is waiting for me downstairs, in an already congested sunrise to the Lincoln Center.

I’m trying to hurry. I wonder if my Ray-Bans are still in her car.
Huh, I cannot forget it. The most essential stage accessory.
I run back to the bedroom.

Here, as Myrtha’s silver heart lays her crown of daisies, lilies and vengeance on this bleeding psyche of mine, her Wilis crawl down to my ears to state your end, Scott.

The tomorrow yesterday you made me hate is today.
And, from today ever, the only cure for your grayness will be but the purple loneliness the now clearer lines on your face created for you yesterday.

Story by Liliana Isella.

* Makes Me Wanna Die by Tricky (video directed by Floria Sigismondi)

For the references to Myrtha, Giselle and the Wilis: http://en.wikipedia.org/wiki/Giselle 

CELESTA

In LITERARY FICTION on February 6, 2010 at 5:33 pm

Photobucket

A blonde talking head wearing nothing but a push-up bra and see-through forearm warmers.
She looks straight into the camera.
The doll intonation in her voice unveils a sexiness that never made it out of the college dorms:

 ― “Hi, this is Celesta Edgy and you should stay tune ‘cause I have a lot to say. And, I know you wanna hear it.”

Her attempt to charm gets cut by the TV jingle: fleshy babes, cartoon music and the title-revelation: LA’s Hottest Models Get Wild in Vegas.

Eighteen girls ~ nine tête-à-tête interviews; a “girl on girl” thing is the promise to the audience.
And, Playboy Bunny of the Century is the TV host in charge to keep it, starting with the first question:

 ― “Ok, tell us a little bit about where we are, right now….”

 ― “We are…” ― Celesta’s lungs already need to store a lot of air ― “…in a suite in the Palms Hotel… doing a very serious interview… for RAPE TV.”

 ― “…and…”

 ― “…and they are trying to get the sexiest, dirtiest secrets of mine.”

 ― “…they?!?” ― A nervous laugh comes out of Playboy Bunny. Then, she smiles. Kind of.

― “So, Celesta… what turns you on more? Danger or romance?”

 ― “Romance…?” ― the thin beauty’s squared, tightened, polished smile takes a few seconds of hesitation. Then, it explodes into a short, frantic laugh to the camera ― “…is this a rhetorical question?!?”

Playboy Bunny of the Century laughs back a softly hysterical “No!” and tries to adjust her discomfort on the seat.

― “Are you single Celesta?”

 ― “Yes. I’m very choosy. Dating is a long interview process… that usually doesn’t go anywhere.”

― “Well, we heard you interviewed this guy for a while….” ― Playboy Bunny blinks an eye toward the camera; a moment after, the screen pops up a picture of some one-day-famous rocker. Gold framed Ray-Bans cover half of his face; the other is consumed by a myriad of sins petted and ruffled by his long, thin, blonde hair.

He must be called Shannon da Anon and “there’s a dot dot dot on my soul today”* is the refrain of his major hit.
As from the backstage they put it on as musical background, a flirtatious Playboy Bunny is humming the words to the camera.
On those same notes Celesta stays still, but her composure of feelings is slowly moving to a trembling edge of childhood tears.

― “So, Celesta… one night stands?”

The childhood tears progress into wine-all-night morning nausea.

― “One night stands?!? Me?!? I don’t think I’ve ever had one….”

― “Welcome to the club….” ― Playboy Bunny freezes her veins into seriousness ― “…yeah, I don’t wanna catch some weird disease….”

 Celesta seems suddenly inspired:

 ― “You’d probably be hangover and wake up the next day and feel like… I don’t know. I just don’t understand those girls who can get that wasted and don’t know what they are doing….”

 ― “Yeah… me either. They make it bad for all of us.”

 They both take a moment of silence. To mourn the decaying morality of the wasted girls, maybe.
Playboy Bunny of the Century eventually breaks it:

 ― “Now, ‘cigarettes.’ Sexy cool or nasty ashy?”

 ― “Disgusting gross…. Stinky, disgusting gross.”

Playboy Bunny looks down to the right.

 ― “Yeah…. I made an exception, but….”

 ― “We all did, but….”

 ― “…but you don’t want to get cancer, right?!?”

 A suddenly uninvited hint of disappointment paints away some of the ether in Celesta’s eyes:

 ― “…these days you don’t even need to smoke cigarettes to get cancer, though….”

 ― “Yeah, you don’t. Isn’t it… scandalous?!?”

Other seconds of cluelessness on both sides.
But now, Playboy Bunny of the Century is seriously done. No more shades of sadness will obscure her own bright moment. A clear willingness to cheer up the RAPE TV spectators comes through a rejuvenated tone:

 ― “Ok. Let me ask you, Celesta… where are you from?!?”

The fragile model relieves a deep breath and ecstatically turns her words to the moon, already molested enough by the Vegas night restless lights:

 ― “I come from… probably the smallest town in Northern California. In California, actually.”

Soon her brand new comfort reveals the astonishing number of its inhabitants:

 ― “Eighty. Probably seventy-nine, now.”

 And, right on her native village, Celesta looses the grip on her hands that, just like Pontius Pilate’s betrayed Jesus, betray her.
She forgets why, so far, she has kept them elegantly still, right between her garter-belted crossed legs and a French bustier.

Under her fair, delicate fingers, a painful secret had found its warm shelter: the panties they made her wear for the interview are no panties.
Between her porcelain skin and the dusty velvet of that couch, she has been left with nothing.
Nothing but a pink, black scar.

Story by Liliana Isella.

GypsyWears Advertisement

___________________________________________________________

*Dot on my soul by Monster in the Machine.

SANTA

In DRUGS on January 28, 2010 at 2:07 pm

When the policewoman walked into the store, the first thought that came to Santa was to wonder why the simple act of owning handcuffs made a woman so attractive. 

Santa had earned his nickname because his hair and beard had turned white early in life and because of the distinctive pear shape of his body.
But make no mistake: there was nothing jolly about this elf.
He always seemed to belong to whatever homeless camp was nearby and the police frequently questioned him when crimes were committed in his vicinity whether he fit the suspect’s description or not.

Unfortunately for Santa, on the day he found himself in handcuffs again, he was more than a suspect.
His day had begun with the purchase of his daily pint of cheap scotch. After he had paid, another patron of Louie’s Liquor and Firearms had bumped Santa’s elbow, causing him to drop and break his purchase. The other patron ran away leaving Santa alone to face the clerk and demand that Louie’s provide a replacement bottle.
Like everyone who came into contact with him, the clerk was creeped out and called the police.

For her part in the matter, Officer Maguire was well prepared. Having grown up the only girl in the middle of four brothers she was used to dealing with unruly, smelly men.
There were less pleasant looking guys around and there were many who drank more and/or bathed less but, this guy was in a league of his own.

Santa

His one-sided conversation in the back seat made him enjoy his ride to jail for the first time. Even the beginnings of alcohol withdrawal were not curbing his ardor for her.
He tried grooming himself in the reflection of the security screen, but with his hands secured, his contortions resembled a seizure, and Officer Maguire almost drove him to the hospital.

Another reality of the situation began to dawn on Officer Maguire: the reaction of her fellow officers if they were to discover the object of Santa’s infatuation.
Her only hope to retain any dignity was to get him booked as quickly as possible and get him out of her life.

Her dream was dashed as soon as they entered the jail.
A group of Shriners had been celebrating a birthday at a local strip club.
The booking area was still packed with the remnants of the celebration, many of whom were trying to remember whose birthday they had been celebrating.
There was no way for Santa to not stand out in the crowd: he was the only male in handcuffs who wasn’t shirtless and wearing a fez.

The only female officer in the room escorting the only prisoner still wearing all of his clothes was cause for comment.
Arresting Santa was almost a rite of passage, but the combination of Santa and Officer Maguire carried a promise of entertainment.

A group of Shriners began to sing a paean to the pleasures of brotherhood, alcohol, and easy women and the rest of them quickly joined in.
Inspired by the song and a flash of distant memory, Santa dropped to one knee and began serenading Officer Maguire with “If Ever I Should Leave You.”

What he lacked in ability he made up for with unmusicality.
Both the officers and the Shriners stood transfixed as though Pavarotti had suddenly appeared in their midst. They took a hard look at the horrified policewoman and recognized Santa as a kindred, if undesirable, spirit.

The only sound in the booking area was Santa’s voice. The only movement was Officer Maguire’s desperate attempt to dissolve into the wall.

His gestures were limited by the handcuffs so he tried to put as much into his facial expressions as possible.
When the sound on the booking area video – which was available on YouTube that same day – was turned off, Santa appeared to be attempting to chew and swallow a large, sharp object.
His dentures, which had never fit very well, had slipped causing additional problems with his diction. The title line of the song sounded like “If Edward Eyes Wool Sleeve You.”

With a heart freed by love and unburdened by rational thought, when Officer Maguire’s emptied the pepper spray in his face, he was the last to notice.
A quick-thinking sergeant took Officer Maguire’s gun right before she could shoot any of the Shriners and cops who took great delight in improvising a choral version of Santa’s love song.

The booking area had to be emptied while it aired out and Santa was taken to the closest hospital in the hope that his eyesight could be saved and a lawsuit avoided.

It took the medical staff a great of time and effort to get Santa cleaned up.
Throughout the ordeal he kept asking for a priest and assurances that his injuries weren’t fatal didn’t seem to have a calming effect.

When Father Ramirez got a good look at Santa, he stopped and took out his Bible with a quick reminder to himself that “We’re all God’s children,” wondering if in this case an exorcism was necessary.

His priestly reassurances that he was in no danger from his injuries were met with an almost violent sideways shaking of his head.
“I know,” said Santa.
“I just want to get married.”

Story by Milton Irvin.

ROMANCE

In SEX on January 12, 2010 at 3:08 pm

Il Cielo Beverly Hills Advertisement

― “Oh, please, you don’t need to call the FBI…”

I take a breath and light a cigarette.

― “…he disappeared overnight, that’s true but, I’m sure he’s still at the Coffee Bean on Sunset and Fairfax where you guys met… same bullshits and same compliments. Just, for somebody else, now.”

We’re at the Patio Café of the Sunset Marquis Hotel.
Her little actor has just evaporated in the Hollywood sky but, Romance’s real anxiety is all for someone else, who’s now playing on the very flexible ground of this hard rock hotel.

There’s a reason if this morning we’re submerging ourselves into such a deluxe coffee: the sunset-to-sunrise rushes of passion with her rock’ n’ blues man are still tingling between these walls and purpling the blood under her skin.

Right now, he’s back in town. Back in this hotel. Back in their room.

Romance didn’t accept to follow him to Broadway.
Their two-week affair was too fresh. Fresh but not very clean, as she found out later, when their matchmaker went to jail.

Under this five star sun, I’m trying to convince her to go upstairs and let her lover know she had no idea he was paying five-hundred dollars for each fuck they had.
Based on their mutual attraction, we’re talking about big money, here. Enough to leave that pathetic job as waitress.

These things happen when you have a roommate whose boyfriend always carries an unreasonable amount of cash.
His job? “Celebrities’ advisor.”

He had seen Romance around the apartment for quite a while, the night he asked her to join him for an exclusive party.

As soon as they walked in, she noticed this prematurely gray but handsome guy at the bar. Same did he.
Ten minutes later, the “celebrities’ advisor” and that salt and pepper smile were talking and looking at her.
She caught them and smiled back. Done deal.

Let’s say it was weird that, for the first “date,” the music man called through the “advisor.”

Let’s say she didn’t understand the concierge’s prompt “I perfectly understand…. This way, please,” when, only for a second, she hesitated to sign the hotel’s guestbook.

Let’s say the champagne helped her to find exhilarating the nonchalance he used to call the same concierge with, two or three times every night, to make him run out to buy the little plastic bonnets for his penis.

Let’s also say this American idol had a “little” thing for cocaine, was a “little bit” paranoid about not-existent paparazzi and asked her a few times (too many) what size of condoms he should have ordered, until she attentively studied his very heated up musical instrument and finally said: “…yes, this time it’s a large…. Maybe.”

~

Photobucket

~

After winning the sun’s reflection on the I-Phone’s screen, I take a closer look at a picture of him she is showing me with the circumspection of a thief.

Same hazelnut, melting eyes. Same tiny, sugary smile. Same creamy bones.
Two puff pastries meant for each other.

Just a few days ago I was watching Romance walking to my car through the traffic of the college entrance and I was wondering how you can match this French petit douce, in this town.
She’s got a sumptuous fill of tasty brains, an always happy cascade of chocolate hair and the invitingly gentle strength of a princess but, still, in this city of images, a thin, sulky, sexy, crumbling candy has definitely more chances to find the lollipop of her mirrors.

―“So, Romance, why are you now afraid to tell someone who has been paying for you that, actually, you were there for free?”

She looks down.

― “At least, tell him to pay you personally, this time!”

― “It’s not about the money,” she grumbles.

― “So, what’s all this about, Romance?”

As she stands up, puts on her Ray-Bans and turns to the ladies room, the air starts playing a warm Spanish guitar of gipsy lyrics:

Taking your charms and dreams to the Golden State
Make your way, seal your fate

But who gets cut when the knife is dull?
And who gets lost when the map is full?

Nobody wins and nobody loses
Just a handful of sorrows
And too many excuses
.*

I try to get more coffee from our baby Casanova server that has totally forgot us for the lavish, promising nurturance of a multi-plastic-surgery elderly doll by the pool.
He must have a lot in common with Romance’s just-evaporated little actor, now that I pay more attention to the perfect symmetry of his expressionless, flat, plastered face. In fact, they totally look like each other’s (totally useless) photocopy.

Looking at him, I suddenly empathize with Romance’s decision.
Why should she put at risk the consolidated balance of the sparkling, unique encounters with her music “client?” For what, exactly?

Our baby Casanova is just a sign from this Golden State sky: when it comes to romance, never exchange a fortuitous, solid, prolific bond with a faithful customer for the charms and the dreams of a deliberate, weak, poor situation with a flake boyfriend.
Never ever. Believe me, it’s not convenient. Not in LA.

Story by Liliana Isella.

GypsyWears Advertisement

 

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*West Texas Sky by Taylor Hicks

SHANNON

In LITERARY FICTION on January 1, 2010 at 10:22 pm

Painting by Shannon Crawford

“Do you wanna fuck all day? Yes?!? Do you wanna fuck all day?”

“…Yeah….” – It’s a whispered surrender to him, Shannon, to his enigmatically voluptuous art, his tempting eyes and his dog smile.

The abortion clinic is right on the canals.
I’m waiting with Kaylan. Her grandfather owns the clinic.

We’re looking at the melancholic water out of the window.
I ask how this growth could happen. I’d already had my regular bleeding, after Shannon.
She calls it “the trick of the first week.”

I look at the grave sky of Venice, at the fading clouds of my evanescent obsession.
And I miss to death the bright light of that afternoon there, on the Hollywood Hills.

Shannon tells me his life was laying in a dark studio in Downtown, but he exited the obscurity of his alcohol dependence and, naturally, new colors painted it – “…and you’re one of them… you’re such a real and rare beauty….”

The sun, enlightening the two of us in the reflection of the market windows at the Grove. He puts his Rayban side to side to mine, and we smile to the camera. Together we look killer, indeed.

Our last kiss in my car, between the blinding trees of that Primerose Avenue whose name makes fun of our decaying passion.

Shannon walks away his fresh promise of introducing me to his daughter. But I stare at him still, to catch the last glimpse of his joker smile.

“… I’ve just died in your arms tonight….” *
I wake up and the song is still playing.

Over the phone, Kaylan and I were hysterically laughing at her new profession.
Her grandfather owns two clinics: one for births and one for abortions. The first was full, so now she picks up phone calls in the second one.
– “…you see what happens when you wait too much to look for a job in LA?!”

I stand up from the semidarkness of my nap. I feel dizzy. My right hand checks my belly. Thank God, it’s still flat.

Flat and hollow like the consuming desperation of an abandoned lover. Five days – Shannon is lost. I know he won’t call. I read it on the sweet surface of his violet smile.

Exhausted I walk to the bathroom, to wash away the dead leafs of that horrible mid-summer afternoon nightmare.

Through the garden lighted mirror, the shade of an overblown love looks back at me. My arms are the spectral reminiscence of my strength and my tummy is the crumbling shelter of the wasted, withered rose Shannon left behind. Black tears try to gather the petals falling from that murdered hope.

His illusory compliments, his insidious smile, his fake promises and his vicious lies are stuck down here. Not by shaping me into a mother, they’ll change this painful impression of myself as a woman.

I’ll kiss them to acceptance, waiting for the next two weeks to reveal their destiny.
Hopefully, it won’t be any of its “first week tricks.”

Story by Liliana Isella.

____________________________________________________________
*(I Just) Died In Your Arms by Cutting Crew

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